Lighting, reliefs, vessels and functional sculpture, printed for rooms that are composed rather than furnished.
A floor lamp whose shade is a single printed shell, thin enough to glow. The light source sits low inside the form and rises through walls that thicken and thin according to a wind model, so the lamp is brightest where the dune would be steepest.
A draa is the largest form a dune can take, a whole hill of sand with smaller dunes moving across it.
A wall relief in four panels, each a slice through a wind-carved landform. Hung together they read as one horizon; hung apart, as four. The surface keeps the print's stratum and takes light the way a cliff face does.
Yardangs are ridges of bedrock streamlined by the wind into the shape of an upturned hull.
A ventifact is a stone abraded into shape by wind-driven sand. The vessel borrows the process. A plain cylinder was eroded in simulation for the equivalent of a thousand years, and the result was printed in a composite that feels like the stone it imitates.
The house wanted an object that had visibly been acted upon.
A side table whose two legs lean at the angle of repose, the steepest slope sand can hold before it slides. The top is a flat plane of the same material. The legs are hollow, printed in a single pass, and weigh less than they appear to.
The slipface is the leeward side of a dune, where sand avalanches and comes to rest at roughly thirty-four degrees.
Every interior object is made to order in a numbered edition. Dimensions, materials and finishes can be adjusted to a room within the limits of the form.